Comedy in Japan versus America
On Saturday night, I had the pleasure of appearing on abemaTV’s live late night show, Muramoto Daisuke’s The Night, to participate in a discussion about comedy in Japan versus comedy in the rest of the world (namely America). While the whole fact that I showed up on Japanese TV is a story in its own right, the discussion that we had on the show really struck a chord with me. What is it about Japanese comedy that makes it hard to enjoy for foreigners and, on that same note, what is it about American comedy that makes it hard for Japanese people to enjoy?
Obviously, there is a language gap that has to be leapt between the two forms but the gulf between comedic cultures and understanding of how humor works goes beyond that. This whole discussion of Japanese comedy versus comedy “elsewhere” stems from a tweet by scientist and writer Ken Mogi. In it, he calls out “major” Japanese entertainers (not by name, mind you, but as an entire class) as being far off from the international standard of comedy and, thus, “finished”. Continue reading
So we’ve beaten the whole Netflix horse for a while now and talked about introducing a manzai to the world (at least that was the idea) but what about my terrestrial career (i.e. the non-English language media)?
The Japanese new years holiday is one of shuttered shops and clogged transportation networks (interestingly enough, everyone is so busy getting out of Tokyo that the capital becomes an absolute breeze to get around for the week). It is also, most helpfully for me, a time for people to gather around and watch a shitton of TV. Almost every single popular program on television will put together a several hour long special show to be shown in the week around New Year’s Day as the Japanese public apparently still hasn’t figured out (a) how to use a DVR, (b) that you can watch almost anything you want on a streaming service, (c) the more time spent watching your favorite personality ham it up on screen means less spending quality time with your loved ones.
Yes, in Japan, on New Year’s, television is still king. And thanks to the national network’s ravenous need to fill airtime with original “special” programming, this means young struggling comedians such as myself find themselves with increased opportunity to see some airtime. Continue reading