Looking Towards a New Year

So with the first month of 2017 almost over, I thought it’d be prudent to finally talk about what I hope to get done this year (not that any of you probably care anyways).

As I “covered” earlier, 2016 was a year full of change and random things and getting fired from your job waiting tables because you had to leave town a couple of woks for a job out in the boonies.  The first month of 2017 has continued this trend.  Not the getting fired part, mind you.  You need to have a job first before you can get fired.  Thus far, the new year has brought me a half dozen stage appearances, a couple of token television appearances, and a steady
succession of bad colds and flu-like symptoms.img_7995

Which brings me to my resolutions and goals for the new year.  Everyone has them.  Almost everyone makes theirs public.  I’m just doing mine a whole month later than everyone else. Continue reading

You’re a (Very) Minor Japanese Television “Celebrity”, So Now What?

So we’ve beaten the whole Netflix horse for a while now and talked about introducing a manzai to the world (at least that was the idea) but what about my terrestrial career (i.e. the non-English language media)?

The Japanese new years holiday is one of shuttered shops and clogged transportation networks (interestingly enough, everyone is so busy getting out of Tokyo that the capital becomes an absolute breeze to get around for the week).  It is also, most helpfully for me, a time for people to gather around and watch a shitton of TV.  Almost every single popular program on television will put together a several hour long special show to be shown in the week around New Year’s Day as the Japanese public apparently still hasn’t figured out (a) how to use a DVR, (b) that you can watch almost anything you want on a streaming service, (c) the more time spent watching your favorite personality ham it up on screen means less spending quality time with your loved ones.

Yes, in Japan, on New Year’s, television is still king.  And thanks to the national network’s ravenous need to fill airtime with original “special” programming, this means young struggling comedians such as myself find themselves with increased opportunity to see some airtime. Continue reading

You’re a Minor Netflix Celebrity, So Now What? Part II – “Aren’t you that guy from that thing?”

In case you haven’t been keeping track (you haven’t), What’s Manzai?!!! has been out on Netflix for over a half year now and, much to my welcome surprise, people are still stopping me on the street to talk about it.

So, yes, I am that dude from that one thing you might have watched on Netflix and, yes, I am an actual struggling comedian with actual struggling comedian problems, problems that a Netflix film debut and the subsequent slight surge of recognition that came with it did nothing to really alleviate.

I’m writing this blog post in a Starbucks bathroom.  Why?  Because I’m an internet freeloader but also don’t want to pay three hundred yen for coffee.  Also, I’m broke, which I’m pretty sure is simply a rite of passage for anyone going down the career path that I am.  Also, Japanese toilet seats are super comfy so I could literally spend hours here without feeling too much rectal distress.

Continue reading

Live schedule to start the year.

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Good riddance 2016

And so another year has passed, and a big one at that.

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2016 was a year of great change, both worldwide and personally. Continue reading

After the Show’s Ended: A Post-Solo Show Postmortem

So it’s done!  Over!  I can finally take a step back and breathe!  After a long month plus of preparation, practice, and figuring out how exactly to fill an entire hour of stage time, Iruka Punch’s first solo live show went off with minimal hitches and nary a tear to be seen.

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Here’s the general order of our show, for those of you who can read Japanese.

The thing you learn the most when doing a solo comedy show in Japan?  Pacing and tempo is everything.  When working as an owarai conbi in Japan, you generally have two different categories of comedy to work with: manzai, Japanese “stand-up” comedy, and conte, a sort of minimalistic take on sketch comedy.  My conbi, Iruka Punch, happens to have a foot in both pools, which makes doing a solo show a bit harder than it would have been if we had just simply have done an hour of manzai. Continue reading

Super Important Announcement: First Solo Live!

So a few days ago, I teased a big announcement and now I can officially tell you what that is (in English)!

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A solo show!  That’s right!  Iruka Punch, my owarai combi, is going to finally do a solo show, which is a big get for a first year combi like ours!

Iruka Punch First Solo Live
What’s Iruka Punch!!! (forgive the Japanglish punctuation)
October 8th, 2016
Doors open 7:45 PM
Tickets: Advanced 1200 yen/ Door 1500 yen

The theater is located in Omiya, a city that is pretty much a suburb of Tokyo (and one thirty minute train ride away from major Tokyo hubs like Shinjuku, Shibuya, and Ikebukuro), and the show starts at 8PM on a Saturday, which means that my solo show is both inconveniently located and inconveniently timed.  In other words, hundreds of tickets are still available.

This is a big, big chance.  If we sell enough tickets, god forbid we sell the theater out, we can help prove our viability as comedic talent to our agency.  If absolutely no one shows up?  Well, we’ll cross that bridge when we get there.

Which is all why I’m asking, nigh, begging any of you reading this in the greater Tokyo area to come to this show.  If money is an issue, I can possibly get you some tickets at a reduced rate.  Please please.  Pretty please.

The Dog Days of Summer?/Early Fall?

It is hot.  It’s rather obvious but it’s still hot out.

Here in Japan, most stores switch into autumn gear almost as soon as the clock hits 12 AM on September First despite the fact the weather often fails to make the same sudden transition to cool nights and fair days.  Really, the only difference here between the “late summer” (August) and the “early autumn” (September) is all the typhoons that conveniently decided to strike the Japanese mainland this month rather than the last.  What the hell’s up with that?  (That’s a rhetorical question, you humorless meteorologist.  I don’t need an actual explanation regarding high and low pressure systems.) Continue reading