So What the Hell IS Manzai Anyways?

Don’t tell anyone now but this is apparently “real” manzai.

When we last left off, we were talking about the rise of a new batch of Japanese comedy stars, dubbed by the media as the Seventh Generation of Japanese Comedy, a term determined more by savvy marketers than by any actual generational shift in how comedy is crafted in Japan.

I had originally planned on introducing some of the “top” members of this “new” group in a new post but while writing it, I had a long and deep conversation with my podcast co-host and actual Japanese comedy researcher Nick about manzai and its various evolutionary shifts as a comedy form. More specifically, we spoke about the act of performing manzai in the era of remote lives and plastic shields aimed at preventing the spread of COVID-19. (Side note, it was a great and really deep conversation about the craft of being a manzai comedian that probably only five or six people in the entire world would probably enjoy hearing.)

A long long time ago, Yoshimoto attempted to introduce the world to manzai via a Netflix “documentary” that I still have crazy stress nightmares about being in. In it, we said that manzai was one mic, two people, and the “Japanese Dream” (Note: I really wasn’t lying about those stress nightmares.). But is that really true? In the four years since then and in the last several months, I’ve given this idea a lot of thought.

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The Comedy Landscape in 2020 Japan – The Seventh Owarai Generation and the Great Corona Pause

The “New” Generation of Comedians appearing on Ametalk

As pretty much any returning reader to this blog knows, I am an “owarai geinin” in Japan. Why don’t I just call myself a comedian? Because the more and more time I spend in the Japanese entertainment industry, the more I’ve come to understand that comedians and geinin are two completely different categories of roles/people entirely.

With the novel coronavirus pretty much putting everything on hold everywhere in the world, now is the perfect time to take of stock of how the Japanese entertainment world has changed or shifted over the last couple of years.

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Keeping it Corona

I’d rather be alive and broke than dead and still in a functioning economy. In recent days as this whole new reality, this bizarre world of social distancing and quarantines and complete and total lockdowns, this thought has become a light sort of mantra, the general idea being that the economic sacrifice of shutting down restaurants, offices, and retail outlets to quell the spread of this new deadly virus (the result, I always finding myself thinking, of some dude somewhere in China deciding eating undercooked bat meat was a good idea) would be worth it in the sheer number of lives saved. Japan, it turns out, seems to operating under the complete opposite doctrine.

Dumb people DO exist in Japan.

Really I’d compare living in current bizzaro state-of-emergency-in-name-only Japan after watching things unfold (badly, it should be said) around the world to watching Jaws and knowing that there’s a giant rabid shark (can sharks get rabies?) swimming in the water where those teenagers are gonna try to get it on. Since Prime Minister Abe declared a State of “Emergency” earlier this week, it’s become abundantly clear that what he had in mind lies somewhere between an “Emergency” in name only and some oddball reinforcement of the tried-and-true nihonjinron concept of Japan being safe from the worst of the coronavirus outbreak simply by being Japan. Yes, it is the 21st century and, yes, just like the rest of the world, Japan is still being run by morons.

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Stephen Starts a Diary: May 7th

5/7 Monday

Walking home in the rain is probably never a good idea.  And yet, there I was, struggling against the wind and rain as I tried to hammer out the hour-long walk to my apartment in Shinagawa from the wakate young comedian theater in Shibuya, trying desperately to not lose another umbrella to the wind whipping sheets of rain into my eyes. Continue reading

Big in Japan, a show

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So now that WHAT’S MANZAI?!!! PART 2 is finally out (though seemingly not in the US) and that part of my life is now completely done with, I’d be remiss in not mentioning the one place where you can hear me discuss Japanese showbiz on my own terms without a Yoshimoto staffer constantly whispering in my ear about not offending my sempai or making sure that I don’t say something about sponsor X, Y, or Z. 

In case you were unsure about it or just went with the narrative of WHAT’S MANZAI?!!! that I am apparently the only non-Japanese person who ever thought about getting in Japanese comedy, there are others out there, and, starting a few months ago, a couple of us decided to get together and talk about our experiences as geinin in Japan because, quite frankly, you need an outlet for these sorts of things.

Those conversations kinda turned into regular thing that we decided to start recording and put out as the Big in Japan podcast, an uncensored, unfiltered, completely unendorsed by our agencies look at the Japanese entertainment world.  I’d like to emphasis the uncensored part of this description because some of the stories shared on the show have been pretty darn raunchy (mostly because, as members of the Japanese entertainment industry, we haven’t had the chance to work blue in years). Continue reading

The Dog Days of Summer?/Early Fall?

It is hot.  It’s rather obvious but it’s still hot out.

Here in Japan, most stores switch into autumn gear almost as soon as the clock hits 12 AM on September First despite the fact the weather often fails to make the same sudden transition to cool nights and fair days.  Really, the only difference here between the “late summer” (August) and the “early autumn” (September) is all the typhoons that conveniently decided to strike the Japanese mainland this month rather than the last.  What the hell’s up with that?  (That’s a rhetorical question, you humorless meteorologist.  I don’t need an actual explanation regarding high and low pressure systems.) Continue reading

Five Things You Should Know Before You Come to Japan

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Stereotypical Tokyo Tower picture.

I know, I know.  This is a horse that’s been particularly beaten to death over the years and there are like five-thousand other articles out there on the internet with the exact same title, most of them probably better than this one.

But, ever since What’s Manzai?!!! went live on Netflix, I’ve started to receive a steady stream of the typical “Hey, I want to come to Japan but totally don’t know where to start so I just randomly decided to contact a dude that I saw in a random TV show on the internet” message (most of these for some reason landing in my personal email account, Facebook Messenger, and, in one case, through text message on my phone).  Rather than answering each query one by one (while I appreciate the fact that you’ve taken the time out of your life to contact me, I don’t have the time or resources to come up with a satisfactory response that doesn’t make me seem like the total asshole that I probably am), I thought I’d kill thirty birds with one stone, something that should totally be an Olympic sport by the way, and start answering some of these questions somewhere everyone could see them.

Which brings us to our main course for today:

Five Things You Should Know Before Coming to Japan

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An Update (August 2016 Edition) or Hot Spring Hell

Sorry for the relative dead air over the past month.  After the surprising amount of free time that came after the release of WHAT’S MANZAI?!!!, my schedule suddenly went back to being meanderingly busy.

As it turns out, summers are a relatively busy time in the Japanese entertainment world, what with summer events, festivals, the usual live schedule, and several projects that I’m not at liberty to reveal yet.

So what have I been up to (that I can tell you)?

Well, over the last half of July, I’ve been up in the mountains in the popular resort town of Hakone, living in staff lodgings and working 13 hour days running a hot spring attraction for a popular television show.  Well, not just me, of course, as my comedic partner has actually been bearing the brunt of the workload (yay, language barrier!).

It’s long, unforgiving work and honestly probably pays horribly (we don’t know how much money we’ll get until it’s actually in our bank accounts) but, when you’re a first year dude, any work offer is a good offer, which means you accept these stints no matter how much you may hate them.

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And believe me, this work does suck.  You wake up early, work until nine, work seven days a week, and stand in ankle deep people broth all day, resulting in the soles of your feet resembling stale bread crust, making your workday a living hell.  Even though it’s been a week since I’ve returned from Hakone, I still find myself waking up in the dead of night with foot pain.  I know, I know.  It comes with the territory.

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There’s supposedly a valley behind those clouds.

And since this is workaholic Japan, I’m going back for another shift in two weeks.

 

But hey, at least the view isn’t horrible.