I’ve Been Busy: Big in Japan, King of Conte, and All the English Classes in Between

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Like a nesting doll, only bald and lifeless.

I know, I know.  Long time no see.

In my defense, I’ve been busy with stuff.  My career as a comedian hasn’t exactly been amazing or anything but I’ve gotten increased work behind the scenes with English logistical stuff (surprisingly, or perhaps not, almost no one at one of the biggest entertainment companies in Japan speaks English) and teaching English lessons to company employees, spouses, et cetera.

It’s sho race (comedy contest) season in Japan and this year, my comedy duo somehow made it to the quarterfinals of King of Conte, a yearly contest to find Japan’s best sketch comedians.  Thanks to a variety of inter-agency political issues, we wound up having to go on first but it was an educational experience nonetheless and there was much rejoicing (and my comedy partner apparently dropping 100,000 yen, a thousand bucks, on celebratory bottles of champagne with his friends).

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Meanwhile, I (and Nick and Ann) have been busy building up Big in Japan, launching a Patreon, expanding our podcast content, and, perhaps biggest of all, working on the launch of our new online variety show with the alternative idol group NECRONOMIDOLStarting mid-September, the Witching Hour will be broadcast live every Monday (Japanese time) at 12 PM, with highlights of the show being edited and posted on Necronomidol’s official Youtube page.  Thanks to agency restrictions, I will not be appearing on the show (at least regularly) but I will be directing and producing it in addition to putting together most of the script.  This has, obviously, been a very time consuming process.

 

While I haven’t had and probably won’t have going forward much time to update the blog, I have been attempting to post more on instagram and always talk about my comings and goings on the Big in Japan podcast.

 

Big in Japan, a show

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So now that WHAT’S MANZAI?!!! PART 2 is finally out (though seemingly not in the US) and that part of my life is now completely done with, I’d be remiss in not mentioning the one place where you can hear me discuss Japanese showbiz on my own terms without a Yoshimoto staffer constantly whispering in my ear about not offending my sempai or making sure that I don’t say something about sponsor X, Y, or Z. 

In case you were unsure about it or just went with the narrative of WHAT’S MANZAI?!!! that I am apparently the only non-Japanese person who ever thought about getting in Japanese comedy, there are others out there, and, starting a few months ago, a couple of us decided to get together and talk about our experiences as geinin in Japan because, quite frankly, you need an outlet for these sorts of things.

Those conversations kinda turned into regular thing that we decided to start recording and put out as the Big in Japan podcast, an uncensored, unfiltered, completely unendorsed by our agencies look at the Japanese entertainment world.  I’d like to emphasis the uncensored part of this description because some of the stories shared on the show have been pretty darn raunchy (mostly because, as members of the Japanese entertainment industry, we haven’t had the chance to work blue in years). Continue reading